SINHALA NOORTHI GEE FREE DOWNLOAD

These parsee entertainment groups who came from time to time, to Sri Lankd, went on attracting the local audience in a continuous fashion, choosing their works in Colombo. They were enthralled by these effects. A discriminative scholar of the works of these two dramatists would perceive that de Silva possessed a significant lift off from Bastain as regards the poetic vision and the use of theatrical techniques. The embecced story line was borrowed from a foreign source and the theatrical model was based on the Parsee type of theatre performances. A timely need which was ascertained as nationalism, and the need to illustrate the trends of the alien cultures such as mannerisms and customs, dress fashions, speech manners, folk manners. To address his need, he utilized his theatrical works. They were new melodies as against the already known melodies.

Uploader: Tausar
Date Added: 9 October 2005
File Size: 24.17 Mb
Operating Systems: Windows NT/2000/XP/2003/2003/7/8/10 MacOS 10/X
Downloads: 97752
Price: Free* [*Free Regsitration Required]

The people preferred to see the musicals that came from Bombay and known as performed by parsee nationalities.

This was marked as the 26th semtember when the play Romlin in which the first role played by a female was performed. These parsee entertainment groups who came from time to time, to Sri Lankd, went on attracting the sinhhala audience in a continuous sinhala noorthi gee, choosing their works in Colombo.

A nnoorthi scholar of the works of these two dramatists would perceive that de Silva possessed a significant lift off from Bastain as regards the poetic vision and the use of theatrical techniques.

ජෝන් ද සිල්වා නුර්ති නාට්‍ය එකතුව-III-‍C.Don Bastian ; the predecessor of John de Silva

These aspects as being influenced from foreign cultural traits were detedted by de Silva. The intention of C. Bastian is attributed as the theatre man who took the stage plays to the urbanized upper class from its extant common audience. Secondly de Silva transcended the limits of Bastian as regards the use of music component. They were new melodies as against the already known melodies. He was a rich member of a rich family in Colombo, the capital of Sri Lanka.

  FOR SAMSUNG F480I WALLPAPERS

He was also the editor of the first daily sinhala news paper. They too preferred to see attractive costumes, stage decor, and various magical and mesmerizing gimmicks on the stage. Although the history of Sinhala prose and verse writings goes as far back to the distant past, the history of sinhala drama commences from the 19th century. At that time going to see theatre had been the main recreation of those who lived in the urban sector.

The embecced story line was borrowed from a foreign source and the theatrical model was based on the Parsee type of theatre performances. They were enthralled by these effects. A timely need which was ascertained as nationalism, and the need to sinhala noorthi gee the trends of the alien cultures such as mannerisms and customs, dress fashions, speech manners, folk manners. The most significant person who emerged from this period was john de Silva — This is the third volume of sinhala noorthi gee series of his complete works.

John de Silva was not only sinhala noorthi gee by the creations of Bastian, but also seen as becoming a creator in a two — fold manner, as different from the former.

  MALLADI CHANDRASEKHARA SASTRY SUNDARAKANDA FREE DOWNLOAD

John de Silva – Wikipedia

For the first fime in the history of Sinhala theatre, he is credited to sinhaal utilized a female character in his plays. To address his need, he utilized his theatrical works. The melodies of the songs too were borrowed from the Parsee operas. While Bastian used Parsee theatre melodies, John de Silva got down Indian musicians and utilised certain melodies so far absent from the local theatre scene.

The prefaces to the first two volumes were confined to commentaries and references to his works. It was also to his credit that the song came to be a marketed commodity.

She was one named Anna perera Kannangara after marriage who played the role of Romlin in the play sinhala noorthi gee the same name. The present volume, which is the third one in the series is confined to his predecessor C.

John de Silva

He sinhalw also a social reformer, a writer and a literary aesthete. According to documentary evidence, plays of Bastian had been seen by Burghers, Tamils, Musilims, English, and even the English governor of the time too had come to see them. Firstly, he fused his play contents to the spirit sinhala noorthi gee the contemporary social issurs.